St James's, London
Decorating Bury Street
Bury Street is a quiet residential side street running south from Jermyn Street through the St James's estate, offering a more intimate scale than the grand club facades of Pall Mall or the bustling commerce of Jermyn Street. Its Georgian terraces of London stock brick retain much of their original character and present the specialist maintenance challenges typical of pre-Victorian residential construction: breathable brickwork, lime mortar joints, original sash windows, and painted stucco details. This article examines the heritage context and appropriate decorating approach for Bury Street's understated but significant townscape.
Heritage Context
Bury Street was developed in the late seventeenth and early eighteenth centuries as part of the original St James's estate grid, providing modestly-scaled residential accommodation behind the grander streets fronting onto St James's Street and Jermyn Street. The street takes its name from the Bury family connection to the St Albans estate, which controlled much of the surrounding land. Unlike many of its neighbours, Bury Street retains a relatively domestic character, its four- and five-storey Georgian terraces having survived the Victorian and Edwardian commercial pressures that transformed adjacent streets. Several properties retain their original iron basement area railings and simple Classical door surrounds.
Architectural & Materials Analysis
The dominant building type on Bury Street is the Georgian brick terrace house of three to five storeys, constructed in London stock brick with lime mortar joints and featuring flat-arched window heads in rubbed or gauged brick. Ground-floor facades on some properties have been rendered in lime stucco at various periods, creating a mixed streetscape of bare brick, painted stucco, and more recent masonry-painted surfaces. The soft, porous nature of London stock brick makes it particularly vulnerable to damage from high-pressure water cleaning or Portland cement repointing, both of which should be strictly avoided. Original sash windows survive on many properties and represent important elements of the historic character of the street.
Specialist Restoration & Painting Implications
Painted stucco elements on Bury Street — including rendered ground floors, window architraves, and cornices — should be decorated with a Keim Soldalit or similar breathable silicate system to prevent the moisture retention that causes stucco to blow on these older substrates. London stock brick facades should not be overcoated with masonry paint unless there is clear evidence of a historic precedent, as paint traps moisture within the soft brick body and leads to spalling. Timber sash windows and entrance doors should be maintained with linseed oil paint systems, which penetrate the wood grain and provide both protection and the authentic semi-gloss sheen appropriate to Georgian domestic joinery.
Noteworthy Addresses & Cultural History
Bury Street has been home to a number of literary and artistic figures over the centuries, its modest Georgian terraces attracting residents who valued proximity to the clubs and galleries of St James's without the expense of the grander addresses on Jermyn Street or Pall Mall. T.S. Eliot lived at No. 9 Bury Street for a period in the early 1920s while working at Lloyds Bank in the City, the quiet residential street providing an unlikely base for one of the most significant figures in twentieth-century literature. Several of the terrace houses have been sensitively converted to offices while retaining their residential character on the upper floors.
Academic & Historical Citations
- Survey of London. (2010). Volume 30: The Parish of St James Westminster, Part 1: South of Piccadilly. London: London County Council / English Heritage.
- Orton, A. (2007). Lime Mortars and Renders: A Practitioner's Guide. London: Building Limes Forum.
- Westminster City Council. (2021). St James's Conservation Area Audit. London: Westminster Planning and Development.
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